For the third consecutive summer, Shatner headed back to Stratford, Ontario for what would turn out to his last season performing in the Shakespeare Festival. For this fourth season of the festival (Shatner’s third) there would be one major change, though.
Continue reading “Henry V (06/18/1956)”
A seismic life change for Shatner begins here.
I imagine that just about every human being can look back and think of events or decisions made that profoundly changed the course of their life, inflection points that in retrospect mark a clear delineation between “Before” and “After.” What if I had gone to this school rather than that one? What if I had/had not taken this job or followed this career path? What if I had/had not moved to this city?
What if I had never met him/her? What if I had/had not married this person? What if I had not had three children?
For William Shatner, I would argue that the most impactful inflection point of his personal life, and quite possibly of his career as well, came as a direct result of his involvement with this episode of On Camera, “Dreams.”
Continue reading “On Camera – “Dreams” (04/28/1956)”
Another big year for Le Shat!
Welcome to the 1955 edition of the “Shatner Year In Review.” At the end of each year covered in the review posts I will provide a summary as it relates to Shatner and his career, as well as display some key entertainment statistics.
1955 was another busy year for The Shat, including at least a dozen TV appearances as well as another full season as part of the Stratford Shakespeare Festival. Along the way he worked on a Rod Serling production, appeared in a television show that can still be viewed today (the first one since 1950 that is extant!), lost his life savings, got invited to Broadway and possibly met one of his future baby mamas. Big doings!
Continue reading “1955 – Shatner Year in Review”
Let’s unpack the mystery of Peter Sloan, shall we?
In March of 2016, a man named Peter Sloan filed a $170 million lawsuit in Florida federal court against one Mr. William Shatner. Sloan, given up for adoption in New York City just five days after his birth in December of 1956, began searching for his birth parents in the early 1980’s at the urging of his first adoptive father. He eventually tracked his birth mother down in Toronto and discovered that she had been (in the mid-1950’s) a minor Canadian actress named Kathy McNeil (at the time Kathy Burt, her maiden name.) McNeil later told Sloan in a letter that his birth father was either a law student from Montreal whose name she could not recall, or William F. Shatner.
Continue reading “General Motors Theatre – “Forever Galatea” (12/06/1955)”
Shatner is back to TV after three months away. Why the delay?
According to my records which may be (admittedly) incomplete, William Shatner did not appear in any TV productions for three months near the end of 1955. This is a bit odd for a guy that had just lost his life savings and who had, just one year earlier, already been in at least four television shows by the time December started. However, I think the reason for this absence is actually quite explainable and provides a somewhat happy addendum to the story of Shatner losing his Broadway seed money.
Continue reading “On Camera – “On a Streetcar” (12/03/1955)”
Oh shit! Shatner’s dreams hit a big snag…
As I stated in my last post, after the Stratford Shakespeare Festival wrapped up its 1955 season, Shatner headed back to Toronto to work another TV season at the CBC. But that wasn’t Shatner’s original idea at all. In fact, his plan was to finish out the Stratford season and then leave Canada altogether for the bright lights of Broadway. So what happened? Well, fucking Lorne Greene happened.
Continue reading “The Big Dig (09/02/1955) – Updated!”
The third and final major play performed at the Stratford Shakespearean Festival of Canada in 1955 was the Bard’s own, The Merchant of Venice. Probably most famous (or infamous to today’s modern audience) for the character of Shylock, a horribly stereotypical Jew, this somewhat dark comedy also has a fair bit of nuance that is often overlooked plus an intelligent, beautiful and resourceful woman as the leading character. Don’t get too excited though, this role would have still gone to a man in Shakespeare’s time.
Continue reading “The Merchant of Venice (06/29/1955)”
In 1954, Stratford’s Artistic Director, Tyrone Guthrie, decided to put on two plays by Shakespeare and then branch out and do a third play not by the Bard. That third play, Oedipus Rex, must have been quite a success because the following year Guthrie decided to again stage a third non-Shakespeare play. This time around, he opted to do King Oedipus.
King Oedipus is simply the English title of Oedipus Rex. They are the same damn play.
Continue reading “King Oedipus (06/29/1955)”
Shatner returns to the stage!
After a very productive (but not very lucrative) season of television working for the CBC in Toronto, and directly following his appearance in “Billy Budd,” William Shatner packed his bags and headed back out to Stratford for the 1955 season. It was the festival’s third year, and Shatner’s second there, and it meant about four months of steady work and experience. Television was just a day job, a way to make ends meet for actors. The real goal, for Shatner at least, was to become a stage actor on Broadway. To get there though, he would need to continue to save up enough money for the move as well as to firmly establish his bona fides as a theater actor. Progress could made on both of these fronts at Stratford.
Continue reading “Julius Caesar (06/27/1955)”
The only extant television appearance for Shatner during his formative era at the CBC.
Shatner (from everything I know) made at least 19 appearances in CBC television programs from 1954-1956. Of these, only one is viewable. That one is an episode of General Motors Theatre, “Billy Budd.” This is a review of that episode.
That’s right, folks! It’s time for a gen-u-ine review, complete with pictures and videos! Break out the champagne (or the harder stuff) and settle in for this (unintentionally?) homoerotic production of “Billy Budd.” I promise to be gentle.
Continue reading “General Motors Theatre – “Billy Budd” (04/26/1955)”
One of the most famous names in Canadian history is Louis Riel. I know this because I just read the entire Wikipedia entry about the man. Prior to beginning my research for this Shatner appearance, I honestly had no idea. So, Canadians, please forgive me my ignorance.
Because I’m obviously not an expert on him or on Canadian history in general, I’m going to try and hit on the highlights of Riel’s life and times as briefly as I can before discussing the production of “The Verdict Was Treason” itself. Oh…and spoiler alert. The verdict was treason.
Continue reading “Scope – “The Verdict Was Treason” (04/03/1955)”
About two months after first appearing on the CBC’s anthology television program Playbill, in an episode penned by the great Rod Serling, Shatner would come back for a second (and apparently final time) for an episode called “The Swamp.”
It’s actually slightly surprising that I don’t see more of Shatner on Playbill, because it appears that it was an interesting proving ground for new and innovative Canadian directors, producers and actors. It’s certainly possible (and even probable) that I’m missing one or more entries for this particular series, so let’s briefly discuss what made Playbill stand out from some of its peers.
Continue reading “Playbill – “The Swamp” (03/30/1955)”
On William Shatner’s 24th birthday, March 22nd, 1955, he appeared in yet another episode of General Motors Theatre, “The Coming Out of Ellie Swan.” It had been almost a month since his last television appearance, so the (small) paycheck provided by this program would probably have made his birthday a better one than he otherwise would have enjoyed. In other words, I’m sure that Shatner had no compunctions about working on his birthday.
Continue reading “General Motors Theatre – “The Coming Out of Ellie Swan” (03/22/1955)”